A time came when painting stopped fitting neatly into my days. Instead, it slipped into the margins, early mornings, half hours, the quiet before the house stirred. What I lost in uninterrupted time, I gained in clarity. Each mark began to matter more. Each decision carried weight. Painting became less about control and more about attention, about trusting what could happen when time was limited but intention was not.
Read MoreEarly light in the studio. Before the day begins.
Painting in the Margins: Motherhood, Time and the Studio
Motherhood has altered not just my schedule, but the way I paint. Working in fragments and early hours has made the work more immediate, more decisive. This post reflects on how limited time, attention and domestic rhythms have reshaped my studio practice, and what that has quietly given back in return.
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